Information Station Logo Hand
Refine Results by Date
Listed below are all the upcoming events within the selected category. To further refine your search use that date selector to the left.


Select the number of tickets
you’d like to purchase:


Buffy Sainte Marie

May 23


Knox United Church

 838 Spadina Crescent East, Saskatoon
 (306) 244-0159


Perhaps you know Sainte-Marie from her 1960s protest anthems (“Universal Soldier”), open-hearted love songs (“Until It’s Time for You to Go”), incendiary powwow rock (“Starwalker”), or the juggernaut pop hit “Up Where We Belong,” which Sainte-Marie co-wrote and Joe Cocker and Jennifer Warnes sang for the soundtrack to An Officer and a Gentleman.

One of her earliest classics, “Cod’ine,” a harrowing account of addiction well ahead of its time, was covered by everyone from Janis Joplin to Donovan to Courtney Love. Or maybe you remember Sainte-Marie from her five years on the television show “Sesame Street” beginning in the mid-’70s.

Whatever the case, every song and every era has revealed new and distinctive shades of an artist revered for her pioneering and chameleon ways. There was no mold from which Buffy Sainte-Marie emerged; she created her own, ripened from experiences in both her head and her heart.

Often pegged as a folk singer – particularly by past record labels that either failed or were unwilling to see how far ahead of the curve she was – Sainte-Marie never fully fit in with her ’60s contemporaries. While her peers were singing the centuries-old folk ballads she may have adored, her songs sprang from her own imagination and were effortlessly unique.

In truth, and this is often overlooked, Sainte-Marie is like an investigative journalist who prods and provokes to tell another side of a story. She tells the part of the narrative that has been conveniently left out of history books. Her songs have been a light in the dark, uncovering everything from corporate greed (“No No Keshagesh”) to violations of human rights (“My Country ’Tis of Thy People You’re Dying”) to governmental abuse of the very people it’s supposed to protect (“Bury My Heart at Wounded Knee” and it's companion from this latest album, “The Uranium War”).

That unwavering resilience has rippled across genres and generations, even as Sainte-Marie’s profile in the United States diminished significantly when she was blacklisted in the ’70s. Recognizing the power of her songwriting and activism, the Lyndon Johnson and Richard Nixon administrations considered her an “artist to be suppressed,” and Sainte-Marie all but disappeared from the US music industry.

“I love words, I love thinking, and I recognize and value the core of a universal idea simplified into a three-minute song,” she says. “What appealed to me in folk music were the songs that have lasted for generations, but I wasn’t trying to be one of those guys. I wanted to give people something original.”



Greenbryre Golf and Country Club.